LIVE WITH ENERGY (silkscreen)

750.00

Silkscreen of Live with Energy. High quality, colorful, signed and numbered.

Narrative

The four classical elements of life – Earth, Water, Air and Fire – are featured in this painting of The Dot Project to show the history of energy production. The design: The 4 elements of life are represented by 4 themes that form the basis of the design, namely the 4 energy sources. 1. Solar Energy
2. Wind Power
3. Hydropower
4. Raw Material Energy In addition to these four fundamental themes, there is a single, central figure: the tree. The tree is a metaphor for life, energy, growth, development, and change. Also there are four sub-designs used. Each sub-design presents the combination or contrast of old and new forms of energy production and their applications (the sciences). 

Solar Energy

 1. Solar Energy An old form of the use of solar energy is photosynthesis; the mechanism by which plants and trees grow due to water and carbon dioxide from the air being converted into glucose. A new form is the collection of solar energy with the help of solar panels. An application is the (hybrid) car (economic science), which is charged by electricity that is again generated by solar panels. Houses are also heated by solar energy. As the rays of the sun strike the roof of the farm, energy is collected by the solar panel window.

Wind Power

2. Wind Power Old: the traditional windmill, where the power of the wind is converted into mechanical labour, namely for grinding grain. Link the mill with bread, and crumbs are carried by the wind to the modern wind turbines where the kinetic energy of the air is converted into, for example, electricity (new). One of the windmills blows wind into the sail of the boat, while the cabin forms from the roof of the farm. Another windmill in bird form imitates a giraffe affording a panoramic view of new applications for the future.

Hydropower

3. Hydropower Old: using paddles to transfer the current of water into rotational energy a watermill, just like the old windmill, has a direct application, namely the grinding of grain or the pressing of oil. New: hydrogen as fuel. Hydrogen fueled cars are much cleaner for the environment. A large dolphin emerges from the water. Drops of water turn into goldfish and salmon.

Raw Material Energy

4. Raw Material Energy Old: coal, peat and oil. The prehistoric nodding donkeys obtain fossil fuel from the ground. The elephant stomps the ground while a huge dinosaur emerges in the background. New: bio fuels, nuclear energy. A nuclear power station discharges clouds of smoke that fly through the air like atoms. Biogas as a clean fuel: cars that run on biogas that is extracted from the ‘excrements’ of the piggy bank. Springing from the ancient peat bogs as the lifeblood and central focal point of the design is the red tree, which forms the basis for new and green energy forms. The electrical sockets in the tree deliver green power. In addition, in the form of standalone motifs, general applications or containers of energy such as ecobunny lights and battery-insects can be seen moving throughout the whole painting.


>> The Dot – Live with energy      
                                                                                                                        
Product Details
  • Title: Live with Energy
  • Artist: The Toyists
  • Technique: Silkscreen
  • Material: Conservabarth 400 gr/m paper
  • Image Size: 40 x 90 cm
  • Ink Layers: 18
  • Limited Edition: 200 (numbered & signed)
  • Price: € 750,00

Silkscreen

Silkscreen printing comes from Japan and became known in Europe around 1930. Another name for an artistic printing is silkscreen printing. To explain the principle behind the technique is quite simple. First a piece of fine mesh made out of silk, polyester or steel is strained on a window frame. Hence the name of the technique is also named after this mesh (literally silkscreen printing). It is a stencil method of print making in which a design is imposed on the fine mesh, with blank areas coated with an impermeable substance. Then ink is forced into the mesh openings by the fill blade and by wetting the substrate. As a result the ink is transferred onto the printing surface during the fill blade stroke. When the screen rebounds away from the substrate the ink remains on the substrate.

Also one color is printed at a time. Therefore several screens can be used to produce a multicolored image or design. Furthermore different ink is needed for different materials. Although the principle behind the technique is simple, making a silkscreen is not. Because craftsmanship is needed to make sure every new layer of ink is printed correctly.

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